THINKING OF ENTERING FOR 2026?

Here’s your checklist:

  1. Have you got a wonderful idea that is clawing at the edges of your creative soul and bursting to become a reality?

  2. Does your idea meet the criteria as outlined in the 2026 Terms and Conditions of Entry?

  3. Have you read the 2026 Terms and Conditions of Entry?

  4. Have you perused the Entry Form?*

  5. Can you submit an application by the deadline of the 16th February?

  6. Are you prepared for an immersive, intensely challenging, ultimately enriching, never-to-be-forgotten experience?

  7. Then go for it!

We are here to help… make contact if you need to.

* The Entry Form can be viewed at any time. Don’t start completing the fields or uploading until you are ready to go – it needs to be completed in one sitting!

 
Terms and Conditions
 
Entry Form
 
Entry Payment
 
Questions? Contact Us
 

Mahnken, Dior (AUS) Love the Skin You’re In

 
 
 

KEY DATES - 2026

16 Feb – Close of Entries. 11.59pm. AEDT - Australian Eastern Daylight-Saving Time.

23 Feb – First Round of Selection Notification

14 Apr – Submission deadline for Second Selection Round

21 Apr – Successful finalists notified

27 Aug – Delivery of works

3 Oct – Gala Event and Award Evening

4 – 8 Oct – Workshop series (dates TBC)

10 Oct – Exhibition opens

Judges

  • Sally Jackson

    Artist - Designer - Educator

    Sally Jackson is a sustainable designer, artist, and educator whose career includes commercial bridal wear, fashion, and costume design. She currently teaches Fashion Illustration at the University of Technology Sydney. The Bowerbirds, Sally’s 100% up-cycled couture collection, illustrates her commitment to circularity and reimagining luxury designs. She believes in skill-sharing and storytelling through clothing, passionately advocating for DIY fashion education. Sally is enthusiastic about community engagement, collaborating on multiple projects with First Nations Fashion and Design. Her contributions include designing sustainable fashion programs for UTS and The Powerhouse Museum and facilitating community workshops for Sydney World Pride at the Sydney Opera House.

  • Gail Stiffe

    Growing up with a bush gully a favourite playground led Gail Stiffe to a lifelong love of nature. She learned hand papermaking when her children were young and her science background seemed to be good fit. The versatility of paper as a medium in its own right has led to a long career in the paper art world. Stiffe makes artist books, framed artworks, installations, jewellery and cards. Her paper is often the artwork itself and at other times the carrier of the art.

    Quickly becoming addicted to hand papermaking and the many possibilities it offers for creative expression led to a buildup of paper supplies which in turn led her to investigate bookbinding as a way of presenting her work. She hasn’t looked back since then and her books are held in many public and private collections.

    Gail is President of the Papermakers of Victoria.

  • Deborah Wace

    Deborah Wace is a Churchill Fellow, a botanical artist & fabric designer, ecological activist, and professional printmaker from Tasmania. Her highly detailed and intimate artwork creates a window into the botany of Tasmanian wild plant communities.

    Deborah uses her plant specimen collection and her print making/teaching, to create an intersection between botany and fine fabrics, refreshing a conversation about ecology and threatened species and the protection of valuable ecological/historical/cultural environments.

    Through her botanical fabric designs, original printmaking and wallpaper collections, her goal is to create real conversations about habitat loss & biodiversity. She invites a deeper, more informed and sustainable connection into our natural world, using fabric design, song, art and film, the most subversive democratic mediums for creating social change!

    She now lives and works in Cygnet. You can find her at www.deborahwace.com

awards at a glance

  • Major Award - AUD$5000

    A work of creative and technical excellence, from concept through to execution.

  • Honourable Roger Jaensch MP Runner-Up Award - AUD$2000

  • Award in honour of Pam and Neil Thorne - AUD$1500

    Award which reflects the core concept of Paper on Skin™, an idea conceived and developed by paper artist Pam Thorne. Sponsored by Janet De Boer OAM.

  • Professional Development Award - AUD$1500

    To fund professional and creative development opportunities for an individual artist during an 18-month period commencing Oct 2025. 

  • Designer Dreaming – AUD$1000

    A work which evokes an historic period or draws inspiration from the glamour of couture design. Sponsored by Stephanie Reynolds.

  • Best Accessory(ies) Award - AUD$1000

    Award for technical and aesthetic mastery in the accessory component of the garment. Headpiece, neckpiece, shoes, fashion accessories (handbag/jewellery/adornment) or a manipulable part of the outfit. Sponsored by Ian Wild & Associates Pty Ltd.

  • First-time Entrant Award – AUD$1000

    Award for a first-time entrant to Paper on Skin. Sponsored by Casey Hiscutt MLC, Independent Member for Montgomery.

  • Paper as Textile Award – AUD(value)$1800

    For the best use of paper as textile, sponsored by Anzara Clark. Prize includes a limited edition, handbound collector’s copy of Paper As Textile Volumes 1 and 2, plus a paper textile mentoring package tailored to the paper textile interests and goals of the award winner.

  • Awagami Paper Award in Recognition of the use of Handmade Paper – AUD(value)$500

    A selection of Awagami Editioning papers. The award recognises the use of handmade, artisanal and/or non-commercial paper. To be awarded by visiting paper specialist and workshop tutor.

  • Mayor of Devonport ‘Behind the Curtain’ Award - AUD$500

    Selected by the Devonport Mayor at the conclusion of a ‘Behind the Curtain’ tour.

  • Cocoon Designs Public Vote Award - $500

    Voted by the public during the Paper on Skin™ exhibition at the Devonport Regional Gallery Oct 10 – Nov 14.